TRACKS
JUST LET GO 5:17
by Joani Taylor, Bob Murphy and Miles Foxx Hill
Tenor sax Ross Taggart; drums Bernie Arai; percussion Jack Duncan; guitar Doug Stephenson
THE SECRET 3:37
by Sharon Minemoto and Joani Taylor
Piano Bob Murphy; bass Miles Hill
TAKE FIVE 4:27
by Paul Desmond; rap by Jay Kin
Emcee Jay Kin; tenor sax Ross Taggart; drums Buff Allen and Bernie Arai
THANK YOU FOR LOVING ME 5:38
by Joani Taylor, Bob Murphy and Miles Foxx Hill
Trumpet and flugelhorn Brad Turner; tenor sax Ross Taggart; drums Buff Allen; percussion Jack Duncan
WHO'S GONNA HOLD ME NOW 6:43
by Jimm Taylor and Joani Taylor
Tenor sax Ross Taggart; drums Buff Allen
LUCKY IN LOVE 3:21
by Sharon Minemoto and Joani Taylor
Drums Buff Allen
PEACE LULLABY 6:46
by Ross Taggart and Joani Taylor
Tenor sax Ross Taggart; drums Buff Allen
DANCE WITH ME 6:24
by Joani Taylor, Bob Murphy and Miles Foxx Hill
Tenor sax Ross Taggart; guitar Doug Stephenson; drums Bernie Arai
YOU ARE MY SUNSHINE 7:27
by Jimmie Davis and Charles Mitchell
Piano Bob Murphy; bass Miles Hill
PHOTOGRAPH 4:10
by Joani Taylor, Bob Murphy and Miles Foxx Hill
Tenor sax Ross Taggart; drums Buff Allen
COMPARED TO WHAT 4:51
by Gene McDaniels
Tenor sax Ross Taggart; drums Buff Allen and Bernie Arai
JIM'S LAMENT 6:18
by Sharon Minemoto and Joani Taylor
Trumpet and flugelhorn Brad Turner; drums Buff Allen; arrangement Sharon Minemoto
In My Own Voice
2008
Wet Coast Records
About three years ago at the Vancouver International Jazz Festival, I was standing in the back of a concert in Studio B at CBC. Joani was singing a ballad to an audience of approximately three hundred people. She had the room in the palm of her hand and I was starting to get all choked up. I looked around the room and saw that I wasn't alone. There were a lot of people trying to pretend they weren't wiping away tears. Over the years, I've seen Joani do this many times. The first time was decades ago at the El Mocambo nightclub in Burnaby and I think she was only sixteen then.
I've had the honour and privilege of witnessing and playing with some wonderful artists who can do this, who can connect to something deep inside themselves and touch something deep inside us. But still and all, they are relatively rare. To be able to do this an artist has to, as well as have the skill of their craft and of their art, go deep inside themselves to go beyond style, tradition, politics and personality, plus find a connection to their own essence. Then they need the willingness to be vulnerable enough to open up and connect with the people they are playing with and for.
For me, Joani has always been a benchmark of this kind of intimacy. Every time I play with her she completely connects and any move I make moves her. When she performs for an audience, she takes them to someplace new and magical. Working on this project has been a great joy for me, especially the writing sessions with Joani and Miles. Things just seemed to fall into place naturally and the results are open and sincere.
The beautiful original music by Sharon Minemoto, Ross Taggart and Jimm Taylor was a delight to play and I think shows many different sides to Joani's “Own Voice”. Her original lyrics show the same intimacy as her performances. The three non-originals take us in different soul-stirring directions again. The recording sessions with all these beautiful players were so inspiring. Every cut is first or second take. For this reason, I think the music has a fresh, raw, and honest quality that I love.
Every time I listen to these takes of Joani, Miles, Ross, Brad, Buff, Bernie and Doug, it makes me laugh and cry. I think this is a generous offering from a beautiful and continually developing, but maturing artist of great depth and breadth. I hope there is much more to come from Joani, my longtime friend, because I know she certainly has a lot more to say.
— Bob Murphy, musical director
“Taylor is someone who knows and honors the craft of jazz.”
— John Book, The Run-Off Groove
“Joani Taylor is a grand Dame among jazz singers, displaying a luster in her voice that glitters with the splendor of a Queen’s crown jewels.”
— Susan Frances
“Start to finish the album is a sublime exercise in jazz creativity.”
— John Goodman, North Shore News
“Forget the labels, this is just too much fun.”
— Mark Saleski, jazz.com, on Take Five
WHAT THEY SAID
CREDITS
Voice: Joani Taylor
Musical director Bob Murphy: piano & B3
Bass: Miles Hill
Drums: Buff Allen on cuts 3, 4, 5, 6, 7, 10, 11 & 12
Drums: Bernie Arai on cuts 1, 3, 8 & 11
Percussion: Jack Duncan on cuts 1 & 4
Guitar: Doug Stephenson on cuts 1 & 8
Tenor sax: Ross Taggart on cuts 1, 3, 4, 5, 7, 8, 10 & 11
Trumpet & flugelhorn: Brad Turner on cuts 4 & 12
Emcee on Take Five: Jay Kin
Arrangement: Sharon Minemoto on Jim’s Lament
Producers: Joani Taylor and Miles Hill
Executive producer: Ray Irvin
Recorded live at Frequency Studios
Engineered by Miles Hill and Pat Glover
Mastered by Miles Hill
Photography: Derek Norris
CD design: Randal Ross
Creative support and cinematographer on Take Five: Chayse Irvin
Street team: Jay Newton and Paulo Christiansen
LINER NOTES
Recorded live at Frequency Studios for Wet Coast Records.
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